Deadline: April 15 2023
Contact: Anne Pasek, Trent Univerisity
Email: annepasek@trentu.ca
A Mostly Screen-Free, Zine-Full, Remote-Participation Conference on Experimental Methods for Research and Research Exchange
ABOUT
As the past years have proven, the methods for conducting and distributing research that we’ve inherited from our disciplinary traditions can be remarkably brittle in the face of rapidly changing social and mobility norms. The ways we work and the ways we meet are questions newly opened for practical and theoretical inquiry; we both need to solve real problems in our daily lives and account for the constitutive effects of these solutions on the character of the knowledge we produce. Methods are not neutral tools, and nor are they fixed ones. As such, the work of inventing, repairing, and hacking methods is a necessary, if often underexplored, part of the wider research process.
This conference aims to better interrogate and celebrate such experiments with method. Borrowing from the spirit and circuits of exchange in earlier DIY cultures, it takes the form of a zine ring distributed via postal mail. Participants will craft zines describing methodological experiments and/or how-to guides, which the conference organisers will subsequently mail out to all participants. Feedback on conference proceedings will also proceed through the mail, as well as during optional workshops and discussion sessions on Zoom during the zine-making process.
The conference itself is thus an experiment with different temporalities and medialities of research exchange. As a practical benefit, this format guarantees that the experience will be free of Zoom fatigue, timezone difficulties, travel expenses, and visa headaches. More generatively, it may also afford slower thinking, richer aesthetic possibilities, more diverse forms of circulation, and perhaps even some amount of delight. The conference format itself is part of the DIY experiment.
2023 Theme: The act of circulating research through zines invites participants into the “gift economy” of zine culture, where knowledge is shared within a system of reciprocal generosity and pleasure in opposition to hierarchical and capitalist forms of knowledge exchange. As zines cut through the often strict and inaccessible boundaries of traditional, peer-reviewed publications, they also allow for the circulation of research to broader audiences, making knowledge more accessible. As such, academic zines transform research into a gift to be shared amongst unknown peers, while also situating the mobilization of knowledge as care work.
And so, while we are excited to receive abstracts around diverse themes and across disciplines, we ask participants to think about knowledge as a gift and research as care work during their zine-making process. How do these visions of knowledge and research mobilization affect how you view your research, others’ research, and/or yourself?
Conference Format
Prospective participants will submit approximately 300-500 word pitches to lowcarbonmethods@gmail.com by April 15th, describing their proposed topic and format. These submissions will be juried, with conference acceptance determined through a combined assessment of potential analytic merit, aesthetics, and the viability of the project plan.
Completed zines will be due in July. Participants will have the choice of either printing and mailing copies of their zine to the conference team, or sending in a print master or digital file to the conference team for print production. Printed zines will be packaged and mailed en masse to all conference attendees in August, along with pre-addressed envelopes and a subsidy for postage to help you craft replies to your fellow participants. A digital volume containing all the zines (the conference proceedings, if you will) will also be published online via the Low-Carbon Research Methods Group’s website, allowing for wider circulation and archiving. Let us know if you would like to receive an update once conference proceedings have been published online.
Timeline
15 April, 2023: Pitches Due
1 May, 2023: Responses Out
15 July, 2023: Zines In/Printing Starts
15 Sept, 2023: Zines Mailed
Costs
The conference is free. There are no costs for registration, though we will have a restricted number of contributing participants.
We will cover the printing costs for zine reproductions. Participants that choose to print copies of their own zines can apply to have those costs reimbursed. A rough guess at the printing costs of particularly unusual and expensive formats should be included in the pitch.
SUBMISSIONS
Submit pitches (300-500 words) to lowcarbonmethods@gmail.com
Deadline: April 15, 2023
Potential Questions Participants Might Address
What political and epistemological legacies do we inherit with conventional disciplinary methods, and how might these methods be hacked or repaired to guide research to more feminist/anti-colonial/anti-racist/anti-ableist ends?
What open-source hardware, protocols, or systems of collaboration have been key to executing your research and doing so ethically?
How does the incorporation of more-than-discursive modalities of inquiry (i.e. research-creation, arts-based research, critical making, and more) impact the character of your research outputs and wider research community?
What might you or your colleagues accomplish with new methods of exchange and communication? How could our work evolve if our professional communities understood research as more than a process of generating conference papers and peer-reviewed writing?
What tools or methods might be required to produce lower-carbon forms of research and research exchange?
Potential Formats Participants Might Use
A traditional conference paper, in booklet form
An instructional manual or field guide
Comics, flipbooks, illustrated/photo essays, and other experiments in image + text
A chapbook with field notes, vignettes, archival fragments, and methodological reflections thereon
FAQS
Who is this conference open to?
All scholars with an interest in interdisciplinary methodologies, from grad students to senior faculty.
What makes a good pitch?
A good pitch will tell us both:
what your zine will achieve conceptually (will it contain an extended analysis of a fieldwork encounter, practical instructions on building a piece of hardware, or an essay analyzing the history and politics of a methodological norm?) and,
how it will come together practically (i.e. a roughly 20 page 8.5 x 5.5 inch book made in Illustrator; a series of four A4 8-folded booklets drawn by hand; a set of collaged cards on heavy cover paper with images on the recto, text on the verso, etc.).
We’re especially interested in projects that think about how the aesthetics and format of the zine will work to support its ideas and reception/circulation. This doesn’t necessarily mean that only the most artistically adept projects will be selected; you don’t need to be an artist to participate, nor does your execution need to be in any way sleek, professional, or tidy to succeed in communicating your ideas in an interesting way. All that we ask is that you think about, and discuss, how and why your work will look the way you want it to look.
Can I submit more than one idea?
Yes. Feel free to send in as many separate pitches as you’d like. However, we’re probably only going to pick one per researcher/research team.
What kinds of things can you print?
The short answer: Most anything you can make out of 8.5 x 11 or 8.5 x 14 inch paper and a photocopier, roughly 20 pages or less.
If you have a conventional print job, we’ll send it to a local print shop in Peterborough. Just send us a PDF and print instructions. To help us best bring your vision to life we ask that these zines are kept to standard 5.5 x 8.5, 8 x 8, 6 x 6 sizes for smoothest production.
If you want to print with a risograph machine, we’ll do it in house. For this latter option, a restricted colour palette based on black, yellow, pink, blue, and red inks will work best. Colour-separated PDF files, or Affinity Suite files, are preferred. To help us best bring your vision to life we ask that these zines be kept to a 5.5 x 8.5 size for smoothest production.
* If your zine is a “specialty size” or requires specialty paper or funky materials, please plan on printing and assembling your own zines to submit
The long riso answer: The conference team has a risograph machine at their disposal with Black, Yellow, Fluorescent Pink, Bright Red, and Medium Blue ink cartridges (hex colour codes: 000000, FFE800, FF48B0, F15060, 3255A4). This allows us to spoof CYMK printing, though not without some constraints. Full bleed images and precise multi-colour registration can cause printing problems with the riso, and so are best used sparingly on the page.
We can work with analog masters (i.e. you draw/paint/collage a real-sized page, one for every colour you want to print in) or digital files (the Affinity Suite is supported in our print lab, but greyscale PDFs, separated out for each colour, are best).
You can learn more about riso printing methods and constraints at:
EMM Lab’s riso basics tutorials on printing + scanning, basic image design with Affinity Photo, and duotone images in Affinity Photo.
Pindot Press’s YouTube Channel
Print Guides by the University of Illinois, University of Brighton, and Risotto Print Studio
If you’re aiming for something ambitious, keep in touch with us so we can troubleshoot potential print problems together.
What if you can’t print the very cool but unconventional idea we have for our zine?
We’ll reimburse you for the costs of printing it yourself, and then mailing it to the conference team.
I don’t know how to make a zine / I am worried about not being artistic enough. Can I still participate?
Absolutely! Zines come with an august tradition of amateur attempts, authentically rough-around-the-edges execution, and plain text entrants. The basic skills are easy to learn, and the conference team is keen to support the acquisition of new tricks.
We will offer drop-in help/co-working sessions and zine design workshops/co-working sessions to provide support to participants.
In the meantime, you also can find guides and templates here:
Basic Microsoft Word Booklet
12 page InDesign template
Single page, 8x fold booklet (one might create a few of these and bundle them together)
Can teams participate?
Absolutely. We welcome multi-/collectively-authored projects and will make sure all members get personal copies of the conference materials. Just mention your head count in your pitch.
What if I live somewhere where the mail is unreliable?
Reach out and let us know how best to navigate your local mail system (i.e. special instructions, preferred carriers, and more). We’ll do our best to make sure your conference package reaches you in a timely fashion. We’ve also built a very spacious schedule to allow for variable mail delivery times.
I have access needs that make mail/printed text tricky. What should I do?
Contact us (lowcarbonmethods@gmail.com) and we can very likely work out accommodations.
I’m not ready to contribute a zine, but I would like to receive them. Can I still participate?
To keep shipping costs under control, only contributing participants will get physical mail. But digital versions of the zines will be available online for all to read and cite.
How will pitches be evaluated?
We will assemble a jury to evaluate proposals and determine the conference list. Jury members will have expertise in both a wide range of research methods and experimental media.
How many zines will be accepted into the conference?
This will depend on the number of submissions we receive and the technical challenges/workload of printing the projects we select, but something in the ballpark of 20-30 seems likely.
Posted on March 14, 2023
